Withinminutes, even a new user can edit media projects like a pro Start Adobe Premiere Pro, create a new project, and then a new sequence Issue: On launch, Premiere Pro is blocked by trend micro on Windows 10 I wonder if it has become corrupted somehow , are the file formats that Adobe Premiere Pro can import , are the file formats that Adobe Premiere Pro can import.
Escrito por prodig04em agosto 31, 2015 Esse tutorial explica como importar arquivos de diferentes programas como Photoshop e After Effects para dentro do Adobe Premiere da forma correta. Damos valor à sua privacidade Nós e os nossos parceiros armazenamos ou acedemos a informações dos dispositivos, tais como cookies, e processamos dados pessoais, tais como identificadores exclusivos e informações padrão enviadas pelos dispositivos, para as finalidades descritas abaixo. Poderá clicar para consentir o processamento por nossa parte e pela parte dos nossos parceiros para tais finalidades. Em alternativa, poderá clicar para recusar o consentimento, ou aceder a informações mais pormenorizadas e alterar as suas preferências antes de dar consentimento. As suas preferências serão aplicadas apenas a este website. Importante Este site faz uso de cookies que podem conter informações de rastreamento sobre os visitantes. Criado por WP RGPD Pro
CaraImport Preset Adobe Premiere Pro. Saya rekomendasikan kepada anda untuk menggunakan premiere pro versi cloud creative yang minimum tahun 2014. Perbedaan dari Premiere Pro CS6 ke Cc ini sangat berbeda jauh signifikan. Lagian, tampilan yang semakin baru akan lebih baik lagi yang terlihat modern. Langkah Import Preset. 1.
Importing 3D images from Photoshop and Illustrator 3D object layers in PSD files Adobe Photoshop can import and manipulate 3D models 3D objects in several popular formats. Photoshop can also create 3D objects in basic, primitive shapes. After Effects cannot import 3D objects from PSD files. See working with 3d layers video on the learn tutorials page. When you use the Vanishing Point feature in Photoshop Extended, you can then use the File > Export For After Effects .vpe command to save the results as a collection of PNG files—one for each plane—and a .vpe file that describes the geometry of the scene. You can then import the .vpe file into After Effects. After Effects uses the information in the .vpe file to re-create the scene as a composition containing a camera layer and one perspective-corrected 3D layer for each PNG file. The camera is on the negative z axis, at x,y=0,0. The point of interest for the camera is in the center of the composition. The camera zoom is set according to the field of view in the Vanishing Point scene. The 3D layers for the planes in the scene have a parent layer with its anchor point at the center of the composition, so the whole scene can be transformed together. Vanishing Point exchange only works well for images that have square pixels in Photoshop. Andrew Kramer provides a video tutorial on his Video Copilot website that shows how to use Vanishing Point Exchange. Importing PSD files as 3D scenes Paul Tuersley provides a script on the AE Enhancers website that turns a layered PSD file into a 3D scene in After Effects. The script creates a composition and adds expressions to the layers from the PSD file. When you move the layers along the z axis, the scene looks exactly like the original artwork through the Active Camera view. You can animate the camera around the scene to see that the layers are at different depths in 3D space. The effects in the 3D category in Illustrator—Extrude & Bevel, Revolve, and Rotate—give a three-dimensional appearance to any vector graphics object, including text and drawings. If you want to add depth to your vector art and text, consider creating it in Illustrator, using the 3D effects, and then importing the results into After Effects. Importing and using 3D files from other applications After Effects can import 3D-image files saved in Softimage PIC, RLA, RPF, OpenEXR, and Electric Image EI format. These 3D-image files contain red, green, blue, and alpha RGBA channels, as well as auxiliary channels with optional information, such as z depth, object IDs, texture coordinates, and more. Though you can import composited files with 3D information into After Effects, you cannot modify or create 3D models directly with After Effects. After Effects treats each composited 3D file from another application as a single 2D layer. That layer, as a whole, can be given 3D attributes and treated like any After Effects 3D layer, but the objects contained within that 3D file cannot be manipulated individually in 3D space. To access the 3D depth information and other auxiliary channel information in 3D image files, use the 3D Channel effects. See 3D Channel effects. 3D Channel effect plug-ins from fnord software are included with After Effects to provide access to multiple layers and channels of OpenEXR files. See Using channels in OpenEXR files. After Effects can also import baked camera data, including focal length, film size, and transformation data, from Maya project files as a single composition or two compositions. See Baking and importing Maya data. After Effects imports camera data saved with RLA or RPF sequence files. See Import RLA or RPF data into a camera layer. Softimage PIC files have a corresponding ZPIC file that contains the z-depth channel information. Although you can’t import a ZPIC file, you can access the additional channel information as long as the ZPIC file is stored in the same folder as the imported PIC file. Similarly, Electric Image EI files can have associated EIZ files with z-depth channel data. As with ZPIC files, you cannot import EIZ files into After Effects; instead, you simply store them in the same folder as the EI files. For information about creating EIZ files, see your Electric Image documentation. A common technique when working in a 3D modeling application is to insert null objects, such as null lights or null locator nodes in the locations where you want to composite in an image in After Effects. Then, after you have imported the 3D file into After Effects, you can use these null objects as a reference for the placements of other visual elements. Online resources about importing and using 3D files from other applications Lutz Albrecht provides a two-part document on the Adobe website about integrating 3D applications with After Effects. These articles cover the creation of UV maps, mattes, and channels from various 3D applications, including Maxon Cinema 4D, NewTek Lightwave, and Luxology modo. The articles then show you how to use REVision Effects REMap and fnord ProEXR plug-ins to use that data in After Effects. Tyson Ibele provides tutorials on his website that show how to use output from 3ds Max 3D Studio MAX in After Effects. Dave Scotland provides a pair of tutorials on the CG Swot website in which he demonstrates how to create RPF files in a 3D application and how to use RPF files in After Effects. The first part explains the RPF format and how to create RPF files in 3DS Max. The second part shows how to use the Object ID and Z depth information in an RPF file within After Effects, using the ID Matte, Depth of Field, Depth Matte, and Fog 3D effects. Using 3D tracking completes camera movements so that additional elements can be composited into the scene to make it appear to honor the same camera movement. The 3D camera tracker effect analyzes video sequences to extract camera motion and 3D scene data. The 3D camera motion allows you to correctly composite 3D elements over your 2D footage. To know more about 3D camera tracker feature, see Tracking 3D camera movement. Harrison Ambs provides a two-part video tutorial on the CGTUTS+ website that demonstrates how to import data from Cinema 4D into After Effects Video Part 1 Video Part 2 The tutorial Use Cinema 4D Lite with After Effects cameras and lights explains how to create an After Effects comp with cameras, lights, and solid layers, and then open it in Cinema 4D Lite to add 3D objects. Import RLA or RPF data into a camera layer After Effects imports camera data saved with RLA or RPF sequence files. That data is incorporated into camera layers—one for each camera in the sequence—that After Effects creates in the Timeline panel. You can access the camera data of an imported RLA or RPF sequence and create a camera layer containing that data. Baking and importing Maya data After Effects imports camera data from Maya project files. Before importing Maya camera information, you need to bake it. Baking camera data makes it easier to animate with keyframes later in your project. Baking places a keyframe at each frame of the animation. You can have 0, 1, or a fixed number of keyframes for each camera or transform property. For example, if a property is not animated in Maya, either no keyframes are set for this property or one keyframe is set at the start of the animation. If a property has more than one keyframe, it must have the same number as all of the other animation properties with more than one keyframe. Reduce import time by creating or saving the simplest Maya file possible. In Maya, reduce keyframes by deleting static channels before baking, and save a version of the Maya project that contains the camera animation only. The following transformation flags are not supported query, relative, euler, objectSpace, worldSpace, worldSpaceDistance, preserve, shear, scaleTranslation, rotatePivot, rotateOrder, rotateTranslation, matrix, boundingBox, boundingBoxInvisible, pivots, CenterPivots, and zeroTransformPivots. After Effects skips these unsupported flags, and no warnings or error messages appear. By default, After Effects treats linear units specified in the Maya file as pixels. You can import camera data from Maya project files .ma and work with the data as a single composition or two compositions. For each Maya file you import, After Effects creates either one or two compositions If the Maya project has a square pixel aspect ratio, After Effects creates a single, square-pixel composition containing the camera data and transformations. If the Maya project has a nonsquare pixel aspect ratio, After Effects creates two compositions. The first composition, which has a filename prefixed by Square, is a square-pixel composition containing the camera data. The second, or parent, composition is a nonsquare-pixel composition that retains the dimensions of the original file and contains the square-pixel composition. When working with imported camera data, use 3D layers and square-pixel footage in the square-pixel composition, and use all nonsquare-pixel footage in the containing composition. When you import a Maya file with a 1-node camera, After Effects creates a camera in the square-pixel composition that carries the camera’s focal length, film size, and transformation data. When you import a Maya file with a 2-node or targeted camera, After Effects creates a camera and an additional parent node in the square-pixel composition. The parent node contains only the camera’s transformation data. After Effects imports 2-node cameras automatically with the locator node as the point of interest, with the Auto-Orientation option of the camera set to Orient Towards Point Of Interest. After Effects doesn’t read 3-node cameras. After Effects reads only the rendering cameras in Maya files and ignores the orthographic and perspective cameras. Therefore, always generate a rendering camera from Maya, even if it’s the same as the perspective camera. If you apply the FilmFit camera setting, make sure to use either horizontal or vertical FilmFit, not fill. After Effects can read Maya locator nodes, which enable you to track objects from the Maya scene as it is translated into After Effects. After Effects creates a null layer and applies the relevant transformations to it if the name of a Maya locator node contains the word Null, NULL, or null. Avoid parenting locator nodes to each other in Maya; instead, parent the locator nodes to geometry. After Effects doesn’t read World or Underworld coordinates in the LocatorShape. Use a transform node to place them. Working with Cinema 4D and Cineware For detailed information on working with MAXON Cinema 4D files and Cineware a full-featured workflow integration between Adobe After Effects CC and Cinema 4D, see CINEMA 4D and Cineware. LihatGambar di bawah untuk lebih jelasnya. Oke jika semua dirasa sudah cukup sekarang sobat tinggal melakukan Export Videonya dan biarkan Adobe Premiere bekerja untuk merubah ke Format ke bentuk (.Gif). Jika durasi VIdeo cukup panjang maka rendering juga sedikit lebih lama. Untuk Hasilnya sobat bisa lihat di Foider penyimpanan yang sudah sobat Create your video edit in Adobe Premiere Pro. Then import your project into After Effects for finishing – add effects, color correction, and motion tracking. There are several ways to manage your Premiere Pro to After Effects workflow. One way is to take advantage of Adobe’s Dynamic Link, with the ability to jump btween the two applications for video editing and compositing/motion design for more info on Dynamic Link check out my previous post here. Another useful post production workflow is to complete your video edit in Premiere Pro and then move your entire project into After Effects. Unlike using Dynamic Link jumping between applications, importing your entire Premiere Pro project into After Effects tends to be a one way operation. Quick note For Editors working with FCP or Media Composer who want to finish in After Effects, you can do so by using Adobe’s Pro Import which was added in CS6. Pro Import was previously Automatic Ducks’s Pro Import but Wes Plate & Harry Plate have now partnered with Adobe. When to Use Import instead of Dynamic Link There are several instances when you may want to import a Premiere Pro project into After Effects as opposed to using Dynamic Link. Some editors may prefer to finish in After Effects because they have third party plugins transitions/effects that work in After Effects and not Premiere Pro. In other instances an editor may be handing the project/media to a motion designer. Lastly, it may be preferential to use import because there can be issues reconnecting with Dynamic Link depending on your workflow. For those using Dynamic Link, check out this post from Digital Rebellion troubleshooting a Dynamic Link workflow. The Import Process When you import your project from Premiere Pro to After Effects, you have all the original layers live. In After Effects go to File > Import > Premiere Pro Project. A dialog box opens, where you have the choice to bring in all the sequences, select a sequence and whether or not you want to import audio. Click OK, and a folder with the referenced media and composition appear in the project. Note, Premiere sequences become compositions in After Effects. Double click on the composition to see the timeline with all your layers from Premiere Pro. Aside from all of your media, markers also come over from Premiere Pro – which is huge. Markers are useful for spotting audio, noting where to add transitions/effects and for notes from a client session. You could also use markers if you wanted to make notes for a motion designer that you were handing the project off to. You can also use speech analysis in Premiere Pro to mark specific words and then that data flows through to After Effects, which is illustrated in the image below. Click for larger view The Output Process Once you’ve completed working with your Premiere Pro project in After Effects, you can either output using the Render Queue or Adobe Media Encoder. For high quality renders I would suggest you use the Render Queue. For video going to the web or DVD it’s better to use Adobe Media Encoder and MPEG-2 codecs are superior in AME. As well, Adobe Media Encoder has Vimeo & YouTube Presets to choose from. To add to the Render Queue – With the Composition selected in the Project, go to Composition > Add to Render Queue. You will need to set your “Render Settings”, your “Output Module” and your “Output To” in the Render Que and then click “Render”. For more specifics on how to do this check out this Adobe Help document. Click for larger view For more information on Adobe Media Encoder check out my tutorial here or the Adobe Help link. Are you utilizing a full Adobe post production workflow? Share your thoughts or advice in the comments below! Search Premiere Pro 2020 Crashing On Import. I just finished a remote session with Adobe Tech Support re Short clips, films, and music videos are just a few of the types of projects that Premiere can help you with Other answers have explained the possible reasons that might cause Premiere Pro AVI import failure and some of them have suggested you "transcode" Sadly, Adobe does not let us Import an After Effects project You can import one After Effects project into another. Everything from the imported project—including footage items, compositions, and folders—appears inside a new folder in the current Project panel. You can import an After Effects project from a different operating system, as long as you maintain the filenames, folder names, and either full or relative paths folder locations for all files in the project. To maintain relative paths, the source footage files must reside on the same debit as the project file. Use the File > Collect Files command to gather copies of all files in a project or composition into a single location. See Cross-mimbar project considerations. If the operating system that you are using does titinada support a file matra, if the file is missing, or if the reference link is broken, After Effects substitutes a placeholder item containing color bars. You can reconnect the placeholder to the appropriate file by double-clicking the entry in the Project panel and navigating to the source file. In most cases, you need to relink only one footage file. After Effects locates other missing items if they’re in the same location. When you render a movie and export it to the QuickTime MOV, Video for Windows AVI format, you can embed a link to the project in the container file. To import the project, import the MOV or AVI file, and choose Project from the Import As menu in the Import File dialog box. If the file contains a link to a project that has been moved, you can browse to locate the project.. Import an Adobe Premiere Cak membela project Importing an Adobe Premiere Menyebelahi project into After Effects does titinada use Dynamic Link. After Effects can’ufuk import a Premiere Pro project if one or more sequences in it are already dynamically linked to After Effects. See Working with Adobe Premiere Pro and After Effects. When you import an Adobe Premiere Pro project, After Effects imports it into the Project panel as both a new composition containing each Adobe Premiere Cak membela clip as a layer, and as a folder containing each clip as an solo footage item. If your Adobe Premiere Menyebelahi project contains bins, After Effects converts them to folders within the Adobe Premiere Pro project folder. After Effects converts nested sequences to nested compositions. Not all features of an Adobe Premiere Menyebelahi project are preserved when the project is imported into After Effects. The same features are preserved when you import a Premiere Pro project into After Effects as when you copy and paste between Premiere Cak membela and After Effects. See Importing from After Effects and Adobe Premiere Memihak. After Effects preserves the bestelan of clips in the timeline, the footage duration including all trimmed In and Out points, and marker and transition locations. After Effects bases the arrangement of layers in the Timeline panel on the arrangement of clips in the Adobe Premiere Menyebelahi Timeline panel. After Effects adds Adobe Premiere Pro clips to the Timeline panel as layers in the order in which they appeared—from the bottom up and from left to right—in the Adobe Premiere Memihak Timeline panel. After Effects preserves changes made to the speed of a clip, for example, with the Clip > Speed command, and these changes appear as a value in the Stretch column in the After Effects Timeline panel. After Effects imports effects common to Adobe Premiere Pro and After Effects, and preserves keyframes for these effects. Transitions and titles except for dissolves included in your Adobe Premiere Menyebelahi project appear in the After Effects composition as solid layers with their original location and duration. Audio Level keyframes are preserved. Copy between After Effects and Adobe Premiere Pro From the After Effects Timeline panel, you can copy layers based on audio or video footage items including solids and paste them into the Adobe Premiere Menyebelahi Timeline panel. From the Adobe Premiere Memihak Timeline panel, you can copy assets any items in a track and paste them into the After Effects Timeline panel. From either After Effects or Adobe Premiere Cak membela, you can copy and paste footage items to the other’s Project panel. You can’kaki langit, however, paste footage items from the After Effects Project panel into the Adobe Premiere Pro Timeline panel. If you want to work with all clips or a single sequence from an Adobe Premiere Pro project, use the Import command instead to import the project into After Effects. Use Adobe Dynamic Link to create dynamic links, without rendering, between new or existing compositions in After Effects and Adobe Premiere Pro. See About Dynamic Link. Copy from After Effects to Adobe Premiere Menyebelahi You can copy a layer based on a footage item from an After Effects composition and paste it into an Adobe Premiere Pro sequence. Adobe Premiere Cak membela converts these layers to clips in the sequence and copies the source footage item to its Project panel. If the layer contains an effect that is also used by Adobe Premiere Pro, Adobe Premiere Pro converts the effect and all of its settings and keyframes. You can also copy nested compositions, Photoshop layers, solid-color layers, and audio layers. Adobe Premiere Pro converts nested compositions to nested sequences, and solid-color layers to color mattes. You cannot copy shape, text, camera, light, or adjustment layers to Adobe Premiere Pro. Results of pasting into Adobe Premiere Pro When you paste a layer into an Adobe Premiere Pro sequence, keyframes, effects, and other properties in the copied layer are converted as follows After Effects item Converted to in Adobe Premiere Memihak Notes Audio volume property Channel Volume filter Blending modes Blending modes supported by Adobe Premiere Menyebelahi are converted Effect properties and keyframes Effect properties and keyframes, if the effect also exists in Adobe Premiere Pro Adobe Premiere Pro lists unsupported effects as offline in the Effect Controls panel. Some After Effects effects have the same names as those in Adobe Premiere Pro, but since they’re actually different effects, they aren’t converted. Expressions Not converted Layer markers Clip markers Masks and mattes Not converted Stereo Mixer effect Channel Debit filter Time Remap property Time Remapping effect Time Stretch property Speed property Speed and time stretch have an inverse relationship. For example, 200% stretch in After Effects converts to 50% speed in Adobe Premiere Pro. Transform property values and keyframes Motion or Opacity values and keyframes The keyframe type—Bezier, Auto Bezier, Continuous Bezier, or Hold—is retained. Source settings for R3D source files Source settings for R3D source files Copy from Adobe Premiere Pro to After Effects You can copy a video or audio asset from an Adobe Premiere Pro sequence and paste it into an After Effects composition. After Effects converts assets to layers and copies the source footage items into its Project panel. If the asset contains an effect that is also used by After Effects, After Effects converts the effect and all of its settings and keyframes. You can copy color mattes, stills, nested sequences, and offline files, too. After Effects converts color mattes into solid-color layers and converts nested sequences into nested compositions. When you copy a Photoshop still image into After Effects, After Effects retains the Photoshop layer information. You cannot paste Adobe Premiere Menyebelahi titles into After Effects, but you can paste text with attributes from the Adobe Premiere Titler into After Effects. Results of pasting into After Effects When you paste an asset into an After Effects composition, keyframes, effects, and other properties in a copied asset are converted as follows Adobe Premiere Pro asset Converted to in After Effects Bloknot Audio track Audio layers Audio tracks that are either surround or greater than 16‑bit aren’t supported. Mono and stereo audio tracks are imported as one or two layers. Bars and tone Not converted Blending modes Converted Clip marker Layer marker Color mattes Solid-color layers Crop penapis Mask layer Frame Hold Time Remap property Mask Converted All mask properties in Premiere Pro, for example, feather, opacity, expansion, and so on, get copied in After Effects when you copy the mask into an After Effects composition. Motion or Opacity values and keyframes Transform property values and keyframes Keyframe type—Bezier, Auto Bezier, Continuous Bezier, or Hold—is retained. Sequence marker Markers on a new solid-color layer To copy sequence markers, you must either copy the sequence itself or import the entire Adobe Premiere Pro project as a composition. Speed property Time Stretch property Speed and time stretch have an inverse relationship. For example, 50% speed in Adobe Premiere Pro is converted to 200% stretch in After Effects. Time Remapping effect Time Remap property Titles Not converted Universal counting leaders Not converted Video and audio transitions Opacity keyframes Cross dissolve only or solid-color layers Video effect properties and keyframes Effect properties and keyframes, if the effect also exists in After Effects After Effects doesn’t display unsupported effects in the Effect Controls panel. Volume and Channel Piutang audio filters Stereo mixer effect Other audio filters are not converted. Source settings for R3D source files Source settings for R3D source files When you import a Premiere Pro project into After Effects, features are converted in the same manner as they are converted when copying from Premiere Pro to After Effects. Source
AdobePremiere Pro is the most powerful, impressive, feature-packed, and reliable video editing software for Windows PCs Adobe Premiere Pro is a video editing program that has the ability to edit and export closed or open captions In this video tutorial, learn how you can quickly create and customize graphics in Adobe's latest version of Premiere Pro Then go back to the sequence and rename
Como Importar um arquivo do After Effects para o Premiere? Consulte Importar do After Effects e do Adobe Premiere Pro....Importar um projeto do Adobe Premiere ProEscolha Arquivo > Importar > Arquivo ou Arquivo > Importar > Projeto do Adobe Premiere Pro. ... Selecione um projeto e clique em OK. Como Importar arquivo do Photoshop para o Premiere? Editar um arquivo de imagem congelada no PhotoshopSelecione um clipe de imagem congelada no painel Projeto ou no painel Linha do Editar > Editar no Adobe Photoshop. O arquivo é aberto no Photoshop. Quando o arquivo for salvo, as alterações estarão disponíveis no projeto Premiere Pro. Quais formatos o Adobe Premiere aceita? Adobe Premiere Pro suporta imensos formatos de vídeo incluindo MP4, MPEG, MPE, MPG MPEG-1, MPEG-2, M2V MPEG-2 compatível com DVD, MTS avchd, MOV, FLV, AVI. Como Exportar um projeto Premiere? Escolha Arquivo > Exportar > Final Cut Pro XML. Você agora pode ver a janela Salvar projeto convertido como. Navegue para escolher um local para o arquivo XML, digite um nome de arquivo e clique em Salvar. O Premiere Pro salva a sequência em um arquivo XML no local especificado. Como Importar GIF no Premiere? [Tutorial Adobe Premiere Pro CC] Como um GIF animado com loop perfeito. Obviamente, você deve criar um novo projeto. Clique na aba Media Browser, selecione o arquivo que você quer utilizar, clique com o botão da direita nele e escolha a opção Import. Como colocar GIF no Adobe Premiere? Como exportar um vídeo como GIF no Adobe Premiere ProComo exportar um vídeo como GIF no Adobe Premiere Pro Foto Reprodução/Camila Peres ... Abra a janela de exportação Foto Reprodução/Lucas Mendes ... Selecione a opção GIF Foto Reprodução/Lucas Mendes ... Exporte o GIF Foto Reprodução/Lucas Mendes Qual melhor formato de vídeo para editar no Adobe Premiere? QuickTime Observação Nem todos os codecs do QuickTime são compatíveis por padrão....Formatos de vídeo e áudio nativos compatíveis para de vídeo MPEG-4MOVFormato do QuickTimeMP3Áudio MP3MP4Filme QuickTime, XDCAM EX Como exportar em MP4 no Premiere Pro? Para que a janela de configurações de Exportação seja inicializada, você deve clicar em “Arquivo” e escolher “Exportar”, depois vá para “Mídia”. Para poupar tempo, para exportar o Premiere Pro para mp4, use o atalho CTRL+M Windows ou CMD+M Mac. Como copiar e colar efeitos After Effects? Selecione um ou mais quadros-chave. Escolha Editar > Copiar. Como importar arquivos do Premiere Pro? Escolha Arquivo > Importar. É possível selecionar vários arquivos. Para importar um arquivo recentemente importado, escolha Arquivo > Importar arquivo recente > [nome do arquivo]. O nome do arquivo não será exibido se as preferências do Premiere Pro tiverem sido redefinidas. Para importar uma pasta de arquivos, escolha Arquivo > Importar. Como posso importá-lo para o Adobe Premiere? Agora é só encontrar o arquivo e selecioná-lo para importação. Passo 1. No canto esquerdo superior da tela do Adobe Premiere, há uma opção chamada “Arquivo”. Selecione-a e, em seguida, clique em “Importar”; Passo 2. Depois, é só escolher o arquivo que você pretende usar no projeto. Pronto. Como abrir o arquivo do Adobe Premiere? Passo 1. Clique duas vezes com o mouse na parte interna da aba; Passo 2. Uma janela irá abrir, como se fosse uma pasta do seu PC. Agora é só encontrar o arquivo e selecioná-lo para importação. Passo 1. No canto esquerdo superior da tela do Adobe Premiere, há uma opção chamada “Arquivo”. Quais são os truques do Adobe Premiere Pro CC? Quer conhecer os truques? Confira o passo a passo neste tutorial testado no Adobe Premiere Pro CC. Passo 1. Abra o Adobe Premiere no seu computador. Em seguida é necessário adicionar o vídeo na edição. Para isso, certifique-se primeiro de que você esteja na aba de "Edição", conforme indica a imagem abaixo.
Touse it correctly, you need to import this .mogrt file to Premiere in a specific way shown below. Open Premiere and create a project. Open Essential Graphics Panel. There are two ways to do this; a. Click "Window" on the top bar and select "Essential Graphics". b. Click "Window" on the top bar, select "Workspaces" and select
After Effects User Guide Beta releases Beta Program Overview After Effects Beta Home Features in Beta Light and Camera Extraction from 3D Models Beta 3D Model Import Beta Getting started Get started with After Effects What's new in After Effects Release Notes After Effects After Effects system requirements Keyboard shortcuts in After Effects Supported File formats After Effects Hardware recommendations After Effects for Apple silicon Planning and setup Workspaces General user interface items Get to know After Effects interface Workflows Workspaces, panels, and viewers Projects and compositions Projects Composition basics Precomposing, nesting, and pre-rendering View detailed performance information with the Composition Profiler CINEMA 4D Composition Renderer Importing footage Preparing and importing still images Importing from After Effects and Adobe Premiere Pro Importing and interpreting video and audio Preparing and importing 3D image files Importing and interpreting footage items Working with footage items Detect edit points using Scene Edit Detection XMP metadata Text and Graphics Text Formatting characters and the Character panel Text effects Creating and editing text layers Formatting paragraphs and the Paragraph panel Extruding text and shape layers Animating text Examples and resources for text animation Live Text Templates Motion Graphics Work with Motion Graphics templates in After Effects Use expressions to create drop-down lists in Motion Graphics templates Work with Essential Properties to create Motion Graphics templates Replace images and videos in Motion Graphics templates and Essential Properties Animate faster and easier using the Properties panel Drawing, Painting, and Paths Overview of shape layers, paths, and vector graphics Paint tools Brush, Clone Stamp, and Eraser Taper shape strokes Shape attributes, paint operations, and path operations for shape layers Use Offset Paths shape effect to alter shapes Creating shapes Create masks Remove objects from your videos with the Content-Aware Fill panel Roto Brush and Refine Matte Layers, Markers, and Camera Selecting and arranging layers Blending modes and layer styles 3D layers Layer properties Creating layers Managing layers Layer markers and composition markers Cameras, lights, and points of interest Animation, Keyframes, Motion Tracking, and Keying Animation Animation basics Animating with Puppet tools Managing and animating shape paths and masks Animating Sketch and Capture shapes using After Effects Assorted animation tools Work with Data-driven animation Keyframe Keyframe interpolation Setting, selecting, and deleting keyframes Editing, moving, and copying keyframes Motion tracking Tracking and stabilizing motion Face Tracking Mask Tracking Mask Reference Speed Time-stretching and time-remapping Timecode and time display units Keying Keying Keying effects Transparency and Compositing Compositing and transparency overview and resources Alpha channels and masks Track Mattes and Traveling Mattes Adjusting color Color basics Color management Color Correction effects OpenColorIO and ACES color management Effects and Animation Presets Effects and animation presets overview Effect list Effect Manager Simulation effects Stylize effects Audio effects Distort effects Perspective effects Channel effects Generate effects Transition effects The Rolling Shutter Repair effect Blur and Sharpen effects 3D Channel effects Utility effects Matte effects Noise and Grain effects Detail-preserving Upscale effect Obsolete effects Expressions and Automation Expressions Expression basics Understanding the expression language Using expression controls Syntax differences between the JavaScript and Legacy ExtendScript expression engines Editing expressions Expression errors Using the Expressions editor Use expressions to edit and access text properties Expression language reference Expression examples Automation Automation Scripts Immersive video, VR, and 3D Construct VR environments in After Effects Apply immersive video effects Compositing tools for VR/360 videos Tracking 3D camera movement Work in 3D Design Space 3D Transform Gizmos Do more with 3D animation Preview changes to 3D designs real time with the Mercury 3D engine Add responsive design to your graphics Views and Previews Previewing Video preview with Mercury Transmit Modifying and using views Rendering and Exporting Basics of rendering and exporting Encoding in After Effects Export an After Effects project as an Adobe Premiere Pro project Converting movies Multi-frame rendering Automated rendering and network rendering Rendering and exporting still images and still-image sequences Using the GoPro CineForm codec in After Effects Working with other applications Dynamic Link and After Effects Working with After Effects and other applications Sync Settings in After Effects Creative Cloud Libraries in After Effects Plug-ins Cinema 4D and Cineware Collaboration and Team Projects Collaboration in Premiere Pro and After Effects Install and activate Use with Premiere Pro and After Effects Frequently asked questions Team Projects Get Started with Team Projects Create a Team Project Collaborate with Team Projects Memory, storage, performance Memory and storage How After Effects handles low memory issues while previewing Improve performance Preferences GPU and GPU driver requirements for After Effects Knowledge Base Known issues Fixed issues After Effects and macOS Ventura How After Effects handles low memory issues while previewing About Dynamic Link In the past, sharing media assets among post-production applications required you to render and export your work from one application before importing it into another. This workflow was inefficient and time-consuming. If you wanted to change the original asset, you rendered and exported the asset again. Multiple rendered and exported versions of an asset consume disk space, and they can lead to file-management challenges. Dynamic Link offers an alternative to this workflow. You can create dynamic links between After Effects and Adobe Premiere Pro. Creating a dynamic link is as simple as importing any other type of asset. Dynamically linked assets appear with unique icons and label colors to help you identify them. Dynamic links are saved in projects generated by these applications. Before creating Dynamic Link, ensure you're using the same After Effects and Premiere Pro versions. Dynamic Link won't work if there is a mismatch in app versions. The same principles are valid if you use Dynamic Link with Character Animator. Create and link to After Effects compositions with Dynamic Link You can create new After Effects compositions, and dynamically link to them from Adobe Premiere Pro. You can also dynamically link to existing After Effects compositions from Adobe Premiere Pro. Create a composition from clips in Adobe Premiere Pro You can replace selected clips in Adobe Premiere Pro with a dynamically linked After Effects composition based on those clips. The new composition inherits the sequence settings from Adobe Premiere Pro. Open Premiere Pro and select the clips you want to replace. Right-click any of the selected clips. Select Replace With After Effects Composition. After Effects opens if it is not already open and a new linked composition is created. Create a dynamically linked composition from Adobe Premiere Pro Creating a new dynamically linked composition from Adobe Premiere Pro launches After Effects. After Effects then creates a project and composition with the dimensions, pixel aspect ratio, frame rate, and audio sample rate of the originating project. If After Effects is already running, it creates a composition in the current project. The new composition name is based on the Adobe Premiere Pro project name, followed by Linked Comp [x]. In Adobe Premiere Pro, choose File > Adobe Dynamic Link > New After Effects Composition. In the 2014 version of Premiere Pro, you can import compositions using Media Browser. See the following sections in Premiere Pro for more information Import files with Media Browser Adobe Dynamic Link If the After Effects Save As dialog box appears, enter a name and location for the After Effects project, and click Save. When you create a dynamically linked After Effects composition, the composition duration is set to 30 seconds. To change the duration, select the composition in After Effects, choose Composition > Composition Settings. Click the Basic tab, and specify a new value for Duration. Link to an existing composition For best results, match composition settings such as dimensions, pixel aspect ratio, and frame rate to the settings in the Adobe Premiere Pro. In Adobe Premiere Pro, choose File > Adobe Dynamic Link > Import After Effects Composition. Choose an After Effects project file .aep, and then select one or more compositions. In Adobe Premiere Pro, choose an After Effects project file and select Open. Then choose a composition in the displayed dialog box and select OK. Drag one or more compositions from the After Effects Project panel to the Adobe Premiere Pro Project panel. Drag an After Effects project file into the Premiere Pro Project panel. If the After Effects project file contains multiple compositions, the Import Composition dialog box opens. You can link to a single After Effects composition multiple times in a single Adobe Premiere Pro project. Modify a dynamically linked composition in After Effects Use the Edit Original command in Adobe Premiere Pro to modify a linked After Effects composition. Once the composition is open in After Effects, you can change the composition without having to use the Edit Original command again. Select the After Effects composition in Adobe Premiere Pro, or choose a linked clip in the Timeline, and choose Edit > Edit Original. Change the composition in After Effects. Then, switch back to Adobe Premiere Pro to view your changes. The changes made in After Effects appear in Adobe Premiere Pro. Adobe Premiere Pro stops using any preview files rendered for the clip before the changes. You can change the name of the composition in After Effects after creating a dynamic link to it from Adobe Premiere Pro. Adobe Premiere Pro does not update the linked composition name in the Project panel. Adobe Premiere Pro does retain the dynamic link, however. Delete a dynamically linked composition or clip You can delete a linked composition from an Adobe Premiere Pro project at any time, even if the composition is used in a project. You can delete linked clips from the timeline of an Adobe Premiere Pro sequence or timeline at any time. In Adobe Premiere Pro, select the linked composition or clip and press the Delete key. Create a linked sequence in Adobe Premiere Pro with Dynamic Link Link to a new sequence Creating an Adobe Premiere Pro sequence from After Effects launches Adobe Premiere Pro. Adobe Premiere Pro then creates a project and sequence with the dimensions, pixel aspect ratio, frame rate, and audio sample rate of the originating project. If Adobe Premiere Pro is already running, it creates a sequence in the current project. In After Effects, choose File > Adobe Dynamic Link > New Premiere Pro Sequence. Link to an existing sequence For best results, match sequence settings and project settings in Adobe Premiere Pro such as dimensions, pixel aspect ratio, and frame rate to those settings in the After Effects project. Do one of the following In After Effects, choose File > Adobe Dynamic Link > Import Premiere Pro Sequence. Choose an Adobe Premiere Pro project, and then choose one or more sequences. Drag one or more sequences from the Adobe Premiere Pro Project panel to the After Effects Project panel. Dynamic Link performance A linked clip can refer to a complex source composition. Actions you perform on the source composition require additional processing time depending on the complexity. After Effects applies the actions and make the final data available to Adobe Premiere Pro using the global performance cache and the persistent disk cache features. These features improve the After Effects performance by using the cached frames when Premiere Pro requests the frames. To reduce playback delays, do one of the following Take the linked composition offline Disable a linked clip to temporarily stop referencing a composition Replace the dynamically linked composition with the rendered file using the Render and Replace feature in Premiere Pro Clip > Render And Replace. If you commonly work with complex source compositions, increase your RAM or upgrade to a faster processor. To encode After Effects compositions, you must add the item to the encoding queue in Adobe Media Encoder, and then select encoding presets or create your own custom settings for rendering. In After Effects, you can add a composition to Media Encoder queue using one of the following options File > Export > Add to Media Encoder Queue Composition > Add to Media Encoder Queue When you add a composition or project to Adobe Media Encoder queue, After Effects launches Adobe Media Encoder with the compositions listed in the queue. The encoding process is explained in the following articles Encode using presets Encode using custom settings 8real handheld camera movement presets for Adobe Premiere Pro 結局、お金持ちが有利？息子3人を灘から東大 - NAVER まとめ Alternatively, you can also Dynamic Link your clip to After Effects These are the steps to install the plug-in: Support:kb408048 File Import Failure when you import a Final Cut Pro XML project Support:kb408222 Cannot enable audio device for recording After Effects User Guide Beta releases Beta Program Overview After Effects Beta Home Features in Beta Light and Camera Extraction from 3D Models Beta 3D Model Import Beta Getting started Get started with After Effects What's new in After Effects Release Notes After Effects After Effects system requirements Keyboard shortcuts in After Effects Supported File formats After Effects Hardware recommendations After Effects for Apple silicon Planning and setup Workspaces General user interface items Get to know After Effects interface Workflows Workspaces, panels, and viewers Projects and compositions Projects Composition basics Precomposing, nesting, and pre-rendering View detailed performance information with the Composition Profiler CINEMA 4D Composition Renderer Importing footage Preparing and importing still images Importing from After Effects and Adobe Premiere Pro Importing and interpreting video and audio Preparing and importing 3D image files Importing and interpreting footage items Working with footage items Detect edit points using Scene Edit Detection XMP metadata Text and Graphics Text Formatting characters and the Character panel Text effects Creating and editing text layers Formatting paragraphs and the Paragraph panel Extruding text and shape layers Animating text Examples and resources for text animation Live Text Templates Motion Graphics Work with Motion Graphics templates in After Effects Use expressions to create drop-down lists in Motion Graphics templates Work with Essential Properties to create Motion Graphics templates Replace images and videos in Motion Graphics templates and Essential Properties Animate faster and easier using the Properties panel Drawing, Painting, and Paths Overview of shape layers, paths, and vector graphics Paint tools Brush, Clone Stamp, and Eraser Taper shape strokes Shape attributes, paint operations, and path operations for shape layers Use Offset Paths shape effect to alter shapes Creating shapes Create masks Remove objects from your videos with the Content-Aware Fill panel Roto Brush and Refine Matte Layers, Markers, and Camera Selecting and arranging layers Blending modes and layer styles 3D layers Layer properties Creating layers Managing layers Layer markers and composition markers Cameras, lights, and points of interest Animation, Keyframes, Motion Tracking, and Keying Animation Animation basics Animating with Puppet tools Managing and animating shape paths and masks Animating Sketch and Capture shapes using After Effects Assorted animation tools Work with Data-driven animation Keyframe Keyframe interpolation Setting, selecting, and deleting keyframes Editing, moving, and copying keyframes Motion tracking Tracking and stabilizing motion Face Tracking Mask Tracking Mask Reference Speed Time-stretching and time-remapping Timecode and time display units Keying Keying Keying effects Transparency and Compositing Compositing and transparency overview and resources Alpha channels and masks Track Mattes and Traveling Mattes Adjusting color Color basics Color management Color Correction effects OpenColorIO and ACES color management Effects and Animation Presets Effects and animation presets overview Effect list Effect Manager Simulation effects Stylize effects Audio effects Distort effects Perspective effects Channel effects Generate effects Transition effects The Rolling Shutter Repair effect Blur and Sharpen effects 3D Channel effects Utility effects Matte effects Noise and Grain effects Detail-preserving Upscale effect Obsolete effects Expressions and Automation Expressions Expression basics Understanding the expression language Using expression controls Syntax differences between the JavaScript and Legacy ExtendScript expression engines Editing expressions Expression errors Using the Expressions editor Use expressions to edit and access text properties Expression language reference Expression examples Automation Automation Scripts Immersive video, VR, and 3D Construct VR environments in After Effects Apply immersive video effects Compositing tools for VR/360 videos Tracking 3D camera movement Work in 3D Design Space 3D Transform Gizmos Do more with 3D animation Preview changes to 3D designs real time with the Mercury 3D engine Add responsive design to your graphics Views and Previews Previewing Video preview with Mercury Transmit Modifying and using views Rendering and Exporting Basics of rendering and exporting Encoding in After Effects Export an After Effects project as an Adobe Premiere Pro project Converting movies Multi-frame rendering Automated rendering and network rendering Rendering and exporting still images and still-image sequences Using the GoPro CineForm codec in After Effects Working with other applications Dynamic Link and After Effects Working with After Effects and other applications Sync Settings in After Effects Creative Cloud Libraries in After Effects Plug-ins Cinema 4D and Cineware Collaboration and Team Projects Collaboration in Premiere Pro and After Effects Install and activate Use with Premiere Pro and After Effects Frequently asked questions Team Projects Get Started with Team Projects Create a Team Project Collaborate with Team Projects Memory, storage, performance Memory and storage How After Effects handles low memory issues while previewing Improve performance Preferences GPU and GPU driver requirements for After Effects Knowledge Base Known issues Fixed issues After Effects and macOS Ventura How After Effects handles low memory issues while previewing Import an After Effects project You can import one After Effects project into another. Everything from the imported project—including footage items, compositions, and folders—appears inside a new folder in the current Project panel. You can import an After Effects project from a different operating system, as long as you maintain the filenames, folder names, and either full or relative paths folder locations for all files in the project. To maintain relative paths, the source footage files must reside on the same volume as the project file. Use the File > Collect Files command to gather copies of all files in a project or composition into a single location. See Cross-platform project considerations. Choose File > Import > File. Select the After Effects project to import, and click Open. If the operating system that you are using does not support a file format, if the file is missing, or if the reference link is broken, After Effects substitutes a placeholder item containing color bars. You can reconnect the placeholder to the appropriate file by double-clicking the entry in the Project panel and navigating to the source file. In most cases, you need to relink only one footage file. After Effects locates other missing items if they’re in the same location. When you render a movie and export it to the QuickTime MOV, Video for Windows AVI format, you can embed a link to the project in the container file. To import the project, import the MOV or AVI file, and choose Project from the Import As menu in the Import File dialog box. If the file contains a link to a project that has been moved, you can browse to locate the project.. Import an Adobe Premiere Pro project Importing an Adobe Premiere Pro project into After Effects does not use Dynamic Link. After Effects can’t import a Premiere Pro project if one or more sequences in it are already dynamically linked to After Effects. See Working with Adobe Premiere Pro and After Effects. When you import an Adobe Premiere Pro project, After Effects imports it into the Project panel as both a new composition containing each Adobe Premiere Pro clip as a layer, and as a folder containing each clip as an individual footage item. If your Adobe Premiere Pro project contains bins, After Effects converts them to folders within the Adobe Premiere Pro project folder. After Effects converts nested sequences to nested compositions. Not all features of an Adobe Premiere Pro project are preserved when the project is imported into After Effects. The same features are preserved when you import a Premiere Pro project into After Effects as when you copy and paste between Premiere Pro and After Effects. See Importing from After Effects and Adobe Premiere Pro. After Effects preserves the order of clips in the timeline, the footage duration including all trimmed In and Out points, and marker and transition locations. After Effects bases the arrangement of layers in the Timeline panel on the arrangement of clips in the Adobe Premiere Pro Timeline panel. After Effects adds Adobe Premiere Pro clips to the Timeline panel as layers in the order in which they appeared—from the bottom up and from left to right—in the Adobe Premiere Pro Timeline panel. After Effects preserves changes made to the speed of a clip, for example, with the Clip > Speed command, and these changes appear as a value in the Stretch column in the After Effects Timeline panel. After Effects imports effects common to Adobe Premiere Pro and After Effects, and preserves keyframes for these effects. Transitions and titles except for dissolves included in your Adobe Premiere Pro project appear in the After Effects composition as solid layers with their original location and duration. Audio Level keyframes are preserved. Choose File > Import > File or File > Import > Adobe Premiere Pro Project. If you choose Import > Adobe Premiere Pro Project, then only Adobe Premiere Pro projects are shown. Select a project, and click OK. To import only one sequence, choose a sequence from the menu. To import audio, select Import Audio. To add a single item from a track in an Adobe Premiere Pro project, copy the item in Adobe Premiere Pro, and choose Edit> Paste in After Effects. Copy between After Effects and Adobe Premiere Pro From the After Effects Timeline panel, you can copy layers based on audio or video footage items including solids and paste them into the Adobe Premiere Pro Timeline panel. From the Adobe Premiere Pro Timeline panel, you can copy assets any items in a track and paste them into the After Effects Timeline panel. From either After Effects or Adobe Premiere Pro, you can copy and paste footage items to the other’s Project panel. You can’t, however, paste footage items from the After Effects Project panel into the Adobe Premiere Pro Timeline panel. If you want to work with all clips or a single sequence from an Adobe Premiere Pro project, use the Import command instead to import the project into After Effects. Use Adobe Dynamic Link to create dynamic links, without rendering, between new or existing compositions in After Effects and Adobe Premiere Pro. See About Dynamic Link. Copy from After Effects to Adobe Premiere Pro You can copy a layer based on a footage item from an After Effects composition and paste it into an Adobe Premiere Pro sequence. Adobe Premiere Pro converts these layers to clips in the sequence and copies the source footage item to its Project panel. If the layer contains an effect that is also used by Adobe Premiere Pro, Adobe Premiere Pro converts the effect and all of its settings and keyframes. You can also copy nested compositions, Photoshop layers, solid-color layers, and audio layers. Adobe Premiere Pro converts nested compositions to nested sequences, and solid-color layers to color mattes. You cannot copy shape, text, camera, light, or adjustment layers to Adobe Premiere Pro. Start Adobe Premiere Pro you must start Adobe Premiere Pro before you copy the layer in After Effects. Select a layer or layers from the After Effects Timeline panel. If you select multiple layers and the layers don’t overlap in After Effects, they’re placed on the same track in Adobe Premiere Pro. On the other hand, if the layers overlap in After Effects, the order in which you select them determines the order of their track placement in Adobe Premiere Pro. Each layer is placed on a separate track, and the last selected layer appears on Track 1. For example, if you select layers from top to bottom, the layers appear in the reverse order in Adobe Premiere Pro, with the bottom-most layer on Track 1. In Adobe Premiere Pro, open a sequence in the Timeline panel. Move the current-time indicator to the desired location, and choose either Edit > Paste or Edit > Paste Insert. Results of pasting into Adobe Premiere Pro When you paste a layer into an Adobe Premiere Pro sequence, keyframes, effects, and other properties in the copied layer are converted as follows After Effects item Converted to in Adobe Premiere Pro Notes Audio volume property Channel Volume filter Blending modes Blending modes supported by Adobe Premiere Pro are converted Effect properties and keyframes Effect properties and keyframes, if the effect also exists in Adobe Premiere Pro Adobe Premiere Pro lists unsupported effects as offline in the Effect Controls panel. Some After Effects effects have the same names as those in Adobe Premiere Pro, but since they’re actually different effects, they aren’t converted. Expressions Not converted Layer markers Clip markers Masks and mattes Not converted Stereo Mixer effect Channel Volume filter Time Remap property Time Remapping effect Time Stretch property Speed property Speed and time stretch have an inverse relationship. For example, 200% stretch in After Effects converts to 50% speed in Adobe Premiere Pro. Transform property values and keyframes Motion or Opacity values and keyframes The keyframe type—Bezier, Auto Bezier, Continuous Bezier, or Hold—is retained. Source settings for R3D source files Source settings for R3D source files Copy from Adobe Premiere Pro to After Effects You can copy a video or audio asset from an Adobe Premiere Pro sequence and paste it into an After Effects composition. After Effects converts assets to layers and copies the source footage items into its Project panel. If the asset contains an effect that is also used by After Effects, After Effects converts the effect and all of its settings and keyframes. You can copy color mattes, stills, nested sequences, and offline files, too. After Effects converts color mattes into solid-color layers and converts nested sequences into nested compositions. When you copy a Photoshop still image into After Effects, After Effects retains the Photoshop layer information. You cannot paste Adobe Premiere Pro titles into After Effects, but you can paste text with attributes from the Adobe Premiere Titler into After Effects. Select an asset from the Adobe Premiere Pro Timeline panel. In After Effects, open a composition in the Timeline panel. With the Timeline panel active, choose Edit > Paste. The asset appears as the topmost layer in the Timeline panel. To paste the asset at the current-time indicator, place the current-time indicator and press Ctrl+Alt+V Windows or Command+Option+V Mac OS. Results of pasting into After Effects When you paste an asset into an After Effects composition, keyframes, effects, and other properties in a copied asset are converted as follows Adobe Premiere Pro asset Converted to in After Effects Notes Audio track Audio layers Audio tracks that are either surround or greater than 16‑bit aren’t supported. Mono and stereo audio tracks are imported as one or two layers. Bars and tone Not converted Blending modes Converted Clip marker Layer marker Color mattes Solid-color layers Crop filter Mask layer Frame Hold Time Remap property Mask Converted All mask properties in Premiere Pro, for example, feather, opacity, expansion, and so on, get copied in After Effects when you copy the mask into an After Effects composition. Motion or Opacity values and keyframes Transform property values and keyframes Keyframe type—Bezier, Auto Bezier, Continuous Bezier, or Hold—is retained. Sequence marker Markers on a new solid-color layer To copy sequence markers, you must either copy the sequence itself or import the entire Adobe Premiere Pro project as a composition. Speed property Time Stretch property Speed and time stretch have an inverse relationship. For example, 50% speed in Adobe Premiere Pro is converted to 200% stretch in After Effects. Time Remapping effect Time Remap property Titles Not converted Universal counting leaders Not converted Video and audio transitions Opacity keyframes Cross dissolve only or solid-color layers Video effect properties and keyframes Effect properties and keyframes, if the effect also exists in After Effects After Effects doesn’t display unsupported effects in the Effect Controls panel. Volume and Channel Volume audio filters Stereo mixer effect Other audio filters are not converted. Source settings for R3D source files Source settings for R3D source files When you import a Premiere Pro project into After Effects, features are converted in the same manner as they are converted when copying from Premiere Pro to After Effects.

CaraMenghubungkan After Effect dan Premiere Pro dengan Adobe Dynamic Link - YouTube.

Guia do usuário do After Effects Versões beta Visão geral do programa Beta Página inicial do After Effects Beta Recursos na versão beta Extração de luz e câmera de modelos 3D beta Importação de modelo 3D beta Introdução Introdução ao After Effects Novidades no After Effects Notas de versão After Effects Requisitos de sistema do After Effects Atalhos de teclado no After Effects Formatos de arquivo compatíveis After Effects Recomendações de hardware After Effects para Apple Silicon Planejamento e configuração Espaços de trabalho Itens gerais da interface do usuário Conheça a interface do After Effects Fluxos de trabalho Espaços de trabalho, painéis e visualizadores Projetos e composições Projetos Noções básicas da composição Pré-composição, aninhamento e pré-renderização Exibir informações detalhadas de desempenho com o Criador de perfil de composição Renderizador de composição CINEMA 4D Importação de gravação Preparação e importação de imagens estáticas Importação do After Effects e do Adobe Premiere Pro Importação e interpretação de vídeo e áudio Preparo e importação de arquivos de imagem 3D Importação e interpretação de itens de gravação Trabalhar com itens de gravação Detectar pontos de edição usando a Detecção de edição de cena Metadados XMP Textos e gráficos Texto Formatação de caracteres e o painel Caractere Efeitos de texto Criação e edição de camadas de texto Formatação de parágrafos e o painel Parágrafo Extrusão de texto e camadas de forma Animação de texto Exemplos e recursos de animação de texto Modelos de texto dinâmico Animações Trabalhar com Modelos de animações no After Effects Usar expressões para criar listas suspensas em Modelos de animações Trabalhar com propriedades essenciais para criar Modelos de animações Substituir imagens e vídeos em Modelos de animações e Propriedades essenciais Anime de maneira mais rápida e fácil usando o painel Propriedades Desenho, pintura e caminhos Visão geral de camadas de forma, caminhos e gráficos vetoriais Ferramentas de pintura Pincel, Carimbo e Borracha Traçados de forma cônica Atributos de forma, operações de pintura e operações de caminho para camadas de forma Use o efeito de forma Deslocar caminhos para alterar formas Criação de formas Criar máscaras Remover objetos de seus vídeos com o painel Preenchimento com reconhecimento de conteúdo Pincel tipo rotoscópio e Refinar fosco Camadas, marcadores e câmera Seleção e organização de camadas Modos de mesclagem e estilos de camadas Camadas 3D Propriedades da camada Criação de camadas Gerenciamento de camadas Marcadores de camada e de composição Câmeras, luzes e pontos de interesse Animação, quadros-chave, rastreamento de movimento e chaveamento Animação Noções básicas de animação Animação com ferramentas Marionete Gerenciamento e animação de caminhos de forma e máscaras Animação de desenho e captura de formas usando o After Effects Ferramentas de animação diversas Trabalhar com animação orientada por dados Quadro-chave Interpolação do quadro-chave Definir, selecionar e excluir quadros-chave Editar, mover e copiar quadros-chave Rastreamento de movimento Rastrear e estabilizar movimento Reconhecimento facial Rastreamento de máscara Referência de máscara Velocidade Esticamento e remapeamento de tempo Timecode e unidades de exibição de tempo Aplicação de máscara Aplicação de máscara Efeitos de máscara Transparência e composição Visão geral e recursos da composição e transparência Canais alfa e máscaras Foscos de controle e foscos móveis Ajustar cor Noções básicas de cores Gerenciamento de cores Efeitos de correção de cores Gerenciamento de cores OpenColorIO e ACES Predefinições de animação e efeitos Visão geral das predefinições de animação e efeitos Lista de efeitos Gerenciador de efeitos Efeitos de simulação Efeitos de estilo Efeitos de áudio Efeitos de distorção Efeitos de perspectiva Efeitos de canal Efeitos de geração Efeitos de transição O efeito Reparo do obturador de rolagem Efeitos Desfoque e Nitidez Efeitos de Canal 3D Efeitos de utilitários Efeitos de fosco Efeitos Ruído e Granulação Efeito Ampliação com preservação de detalhes Efeitos obsoletos Expressões e automação Expressões Noções básicas de expressão Entender sobre a linguagem de expressões Utilização de controles de expressão Diferenças de sintaxe entre os mecanismos de expressão Javascript e Legacy ExtendScript Edição de expressões Erros de expressão Utilização do editor de expressões Usar expressões para editar e acessar propriedades de texto Referência de linguagem de expressão Exemplos de expressão Automação Automação Scripts Vídeo imersivo, VR e 3D Criar ambientes de VR no After Effects Aplicar efeitos de vídeo imersivo Ferramentas de composição para vídeos VR/360 Rastreamento de movimento de câmera 3D Trabalhar no Espaço de design 3D Gizmos de transformação 3D Faça mais com a animação 3D Visualização de alterações em projetos 3D em tempo real com o mecanismo Mercury 3D. Adicionar design responsivo aos gráficos Exibições e visualizações Visualizar Visualização de vídeo com o Mercury Transmit Modificação e utilização de exibições Renderização e exportação Noções básicas de renderização e exportação Codificação em no After Effects Exportar um projeto do After Effects como um projeto do Adobe Premiere Pro Conversão de filmes Renderização de vários quadros Renderização automatizada e renderização de rede Renderização e exportação de imagens estáticas e sequências de imagens estáticas Utilização do codec GoPro CineForm no After Effects Trabalho com outros aplicativos Dynamic Link e After Effects Trabalhar com o After Effects e outros aplicativos Sincronizar configurações no After Effects Bibliotecas da Creative Cloud no After Effects Plug-ins Cinema 4D e Cineware Colaboração e Team Projects Colaboração no Premiere Pro e After Effects Instalar e ativar o Usar com Premiere Pro e After Effects Perguntas frequentes Team Projects Introdução ao Team Projects Criar um Projeto de equipe Colaborar com o Team Projects Memória, armazenamento e desempenho Memória e armazenamento Como o After Effects lida com problemas de memória insuficiente durante uma visualização Melhorar o desempenho Preferências GPU e os requisitos de driver de GPU para o After Effects Knowledge Base Problemas conhecidos Problemas corrigidos After Effects e macOS Ventura Como o After Effects lida com problemas de memória insuficiente durante uma visualização Importar um projeto do After Effects É possível importar um projeto do After Effects para outro. Tudo que faz parte do projeto importado – incluindo itens de gravação, composições e pastas – aparecem em uma nova pasta no painel Projeto atual. É possível importar um projeto do After Effects de um sistema operacional diferente, desde que você mantenha os nomes de arquivos, nomes de pastas e caminhos completos ou relativos locais de pasta de todos os arquivos no projeto. Para manter caminhos relativos, os arquivos de gravação de origem devem estar no mesmo volume que o arquivo de projeto. Use o comando Arquivo > Coletar arquivos para coletar cópias de todos os arquivos em um projeto ou uma composição para um único local. Consulte Considerações de projetos entre plataformas. Escolha Arquivo > Importar > Arquivo. Selecione o projeto do After Effects para importar e clique em Abrir. Se o sistema operacional usado não oferecer suporte para um formato de arquivo, se o arquivo estiver ausente ou se o link de referência estiver quebrado, o After Effects substitui um item de espaço reservado que contém barras de cores. Você pode reconectar o espaço reservado para o arquivo correto clicando duas vezes na entrada no painel Projeto e navegando até o arquivo de origem. Na maioria dos casos, será necessário voltar a vincular apenas um arquivo de gravação. O After Effects localiza outros itens ausentes se estiverem no mesmo local. Ao renderizar um filme e o exportar para o QuickTime MOV, formato de vídeo para Windows AVI, você pode incorporar um link para o projeto no arquivo do contêiner. Para importar o projeto, importe o arquivo MOV ou AVI, escolha Projeto no menu Importar como na caixa de diálogo Importar arquivo. Se o arquivo contém um link para um projeto que foi movido, é possível navegar para localizar o projeto.. Importar um projeto do Adobe Premiere Pro A importação de um projeto do Adobe Premiere Pro para o After Effects não usa Dynamic Link. O After Effects não pode importar um projeto do Premiere Pro se uma ou várias sequências nele já estiverem vinculadas dinamicamente para o After Effects. Consulte Trabalhar com o Adobe Premiere Pro e o After Effects. Ao importar um projeto do Adobe Premiere Pro, o After Effects importa-o para o painel Projeto como uma nova composição contendo cada clipe do Premiere Pro como uma camada e como uma pasta contendo cada clipe como um item de gravação. Se o seu projeto do Adobe Premiere Pro contém compartimentos, o After Effects converte-os em pastas na pasta de projeto do Adobe Premiere Pro. O After Effects converte sequências aninhadas em composições aninhadas. Nem todos os recursos de um projeto do Adobe Premiere Pro são preservados quando o projeto é importado para o After Effects. Os mesmos recursos serão preservados quando você importa um projeto do Premiere Pro para o After Effects como quando você copia e cola entre o Premiere Pro e o After Effects. Consulte Importar do After Effects e do Adobe Premiere Pro. O After Effects preserva a ordem de clipes na linha de tempo, a duração da gravação incluindo toso os pontos de entrada e saída aparados e locais de marcador e transição. O After Effects baseia a disposição das camadas no painel Linha de Tempo na disposição de clipes no painel Linha de tempo do Adobe Premiere Pro. O After Effects adiciona clipes do Adobe Premiere Pro ao painel Linha de tempo como camadas na ordem em que eles apareceram – de baixo para cima e da esquerda para a direita -no painel Linha de tempo do Adobe Premiere Pro. O After Effects preserva as alterações feitas na velocidade de um clipe, por exemplo, com o comando Clipe > Velocidade e essas alterações aparecem como um valor na coluna Esticar no painel Linha de tempo do After Effects. O After Effects importa os efeitos comuns ao Adobe Premiere Pro e After Effects e preserva os quadros-chave desses efeitos. As transições e títulos exceto para dissoluções incluídos no projeto do Adobe Premiere Pro são exibidos em uma composição do After Effects como camadas sólidas com o local e a duração originais. Os quadros-chave de nível de áudio são preservados. Escolha Arquivo > Importar > Arquivo ou Arquivo > Importar > Projeto do Adobe Premiere Pro. Se você escolher Importar > Projeto do Adobe Premiere Pro, são mostrados apenas projetos do Adobe Premiere Pro. Selecione um projeto e clique em OK. Siga um destes procedimentos Para importar somente uma sequência, escolha uma sequência no menu. Para importar áudio, selecione Importar áudio. Para adicionar um único item de uma faixa em um projeto do Adobe Premiere Pro, copie o item no Adobe Premiere Pro e escolha Editar > Colar no After Effects. Copiar entre o After Effects e o Adobe Premiere Pro No painel Linha de tempo do After Effects, é possível copiar camadas com base em itens de gravações de áudio ou vídeo incluindo sólidos e colá-los no painel Linha de tempo do Adobe Premiere Pro. No painel Linha de tempo do Adobe Premiere Pro é possível copiar ativos qualquer item em uma faixa e colá-los no painel Linha de tempo do After Effects. No After Effects ou no Adobe Premiere Pro, é possível copiar e colar itens de gravação para o painel Projeto de outros. No entanto, não é possível colar itens de gravação do painel Projeto do After Effects no painel Linha de tempo do Adobe Premiere Pro. Se desejar trabalhar com todos os clipes ou apenas uma sequência a partir de um projeto Adobe Premiere Pro use o comando Importar em vez de importar o projeto para o After Effects. Use o Adobe Dynamic Link para criar links dinâmicos, sem renderização, entre composições novas ou existentes no After Effects e no Adobe Premiere Pro. Consulte Sobre o Dynamic Link. Copiar do After Effects para o Adobe Premiere Pro É possível copiar uma camada baseada em um item de gravação de uma composição do After Effects e colá-la em uma sequência do Adobe Premiere Pro. O Adobe Premiere Pro converte essas camadas em clipes em sequência e copia o item de gravação de origem no painel Projeto. Se a camada contiver um efeito que é usado também pelo Adobe Premiere Pro, o Adobe Premiere Pro converterá o efeito e todas as configurações e quadros-chave. Também é possível copiar composições aninhadas, camadas do Photoshop, camadas de cores sólidas e camadas de áudio. O Adobe Premiere Pro converte composições aninhadas em sequências aninhadas e camadas de cores sólidas em cores foscas. Não é possível copiar forma, texto, câmera, iluminação ou camadas de ajuste ao Adobe Premiere Pro. Iniciar o Adobe Premiere Pro é necessário iniciar o Adobe Premiere Pro antes de copiar a camada no After Effects. Selecione uma camada ou camadas do painel Linha de tempo doAfter Effects. Se você selecionar várias camadas e as camadas não se sobrepuserem no After Effects elas serão colocadas na mesma faixa do Adobe Premiere Pro. Entretanto, se as camadas se sobrepuserem no After Effects, a ordem em que você selecioná-las determinará a ordem da colocação na faixa Adobe Premiere Pro. Cada camada é inserida em uma faixa separada, e a última camada selecionada é exibida na faixa 1. Por exemplo, se você selecionar camadas de cima para baixo, as camadas serão exibidas em ordem inversa no Adobe Premiere Pro, com a camada inferior na faixa 1. No Adobe Premiere Pro, abra uma sequência no painel Linha de tempo. Mova o indicador de tempo atual para o local desejado e selecione Editar > Colar ou Editar > Colar inserção. Resultados de colar no Adobe Premiere Pro Ao colar uma camada em uma sequência do Adobe Premiere Pro os quadros-chave, efeitos e outras propriedades da camada copiada serão convertidos como segue Item do After Effects Convertido em Adobe Premiere Pro Observações Propriedade do volume do áudio Filtro Volume do canal Modos de mesclagem Os modos de mesclagem suportados pelo Adobe Premiere Pro são convertidos Propriedades e quadros-chave de efeito Propriedades e quadros-chave de efeito, se o efeito também existir no Adobe Premiere Pro O Adobe Premiere Pro lista efeitos não suportados offline pelo painel Controle do efeito. Alguns efeitos do After Effects têm os mesmos nomes no Adobe Premiere Pro, mas já que eles são efeitos realmente diferentes, eles não são convertidos. Expressões Não convertido Marcadores de camada Marcadores de clipe Máscaras e foscos Não convertido Efeito Mixer estéreo Filtro Volume do canal Propriedade Remapeamento de tempo Efeito Remapeamento de tempo Propriedade Ampliação do tempo Propriedade Velocidade Ampliar tempo e velocidade têm um relacionamento inverso. Por exemplo, ampliar 200% no After Effects converterá para 50% de velocidade no Adobe Premiere Pro. Transformar valores de propriedade e quadros-chave Valores de movimento ou opacidade e quadros-chave O tipo de quadro-chave Bézier, Bézier automático, Bézier contínuo ou do quadro-chave, auto Bézier, Bézier contínuo ou Retenção são mantidos. Configurações de origem de arquivos de origem R3D Configurações de origem de arquivos de origem R3D Copie do Adobe Premiere Pro para o After Effects É possível copiar um ativo de vídeo ou áudio de uma sequência do Adobe Premiere Pro e colá-lo em uma composição do After Effects. O After Effects converte ativos em camadas e copia os itens de gravação de origem no painel Projeto. Se o ativo contiver um efeito que é usado também pelo After Effects, o After Effects converterá o efeito e todas as configurações e quadros-chave. É possível copiar fosco de cores, imagens, sequências aninhadas e arquivos offline também. O After Effects converte camadas de fosco de cores em cores sólidas e converte sequências aninhadas em composições aninhadas. Ao copiar uma imagem do Photoshop no After Effects, o After Effects irá manter as informações de camadas do Photoshop. Não é possível colar títulos do Adobe Premiere Pro no After Effects, mas é possível colar texto com atributos do Adobe Premiere Titler no After Effects. Selecione um ativo do painel Linha de tempo do Adobe Premiere Pro. No After Effects, abra uma composição no painel Linha de tempo. Com o painel Linha de tempo ativo, escolha Editar > Colar. O ativo aparecerá na camada superior do painel Linha de tempo. Para colar o ativo no indicador de tempo atual, coloque o indicador de tempo atual e pressione Ctrl+Alt+V Windows ou Command+Option+V Mac OS. Resultados de colagem no After Effects Ao colar um ativo em uma composição do After Effects, os quadros-chave, efeitos e outras propriedades em um ativo copiado serão convertidos como a seguir Ativo do Adobe Premiere Pro Convertido para o After Effects Observações Faixa de áudio Camadas de áudio As faixas de áudio que são surround ou superior de 16 bits não são suportadas. As faixas de áudio mono e estéreo são importadas como uma ou duas camadas. Barras e tom Não convertido Modos de mesclagem Convertido Marcador de clipe Marcador de camada Cores foscas Camadas de cores sólidas Filtro de corte Camada de máscara Congelamento de quadro Propriedade Remapeamento de tempo Máscara Convertido Todas as propriedades de máscara do Premiere Pro, por exemplo, suavização, opacidade, expansão etc., são copiadas no After Effects ao copiar a máscara em uma composição do After Effects. Valores de movimento ou opacidade e quadros-chave Transformar valores de propriedade e quadros-chave Tipo de quadro-chave – Bézier, Bézier automático, Bézier contínuo ou Retenção – é mantido. Marcador de sequência Marcadores em uma nova camada de cor sólida Para copiar os marcadores de sequência, é necessário copiar a própria sequência ou importar o projeto Adobe Premiere Pro inteiro como uma composição. Propriedade Velocidade Propriedade Ampliação do tempo Ampliar tempo e velocidade têm um relacionamento inverso. Por exemplo, a velocidade de 50% no Adobe Premiere Pro foi convertido para ampliar 200% no After Effects. Efeito Remapeamento de tempo Propriedade Remapeamento de tempo Títulos Não convertido Líder de contagem universal Não convertido Transições de vídeo e áudio Quadros-chave de opacidade dissolução cruzada apenas ou camadas de cor sólida Propriedades e quadros-chave de efeito de vídeo Propriedades e quadros-chave de efeito, se o efeito também existir no After Effects O After Effects não exibe efeitos não compatíveis no painel Controles do efeito. Filtros de áudio de Volume e Volume do canal Efeito Mixer estéreo Outros filtros de áudio não são convertidos. Configurações de origem de arquivos de origem R3D Configurações de origem de arquivos de origem R3D Ao importar um projeto do Premiere Pro para o After Effects, os recursos são convertidos na mesma forma como eles são convertidos ao copiar do Premiere Pro para o After Effects.

Afteryou've added and edited subtitles to your video in Adobe Premiere Pro, you can also export the subtitles as a separate file. Clean both the Media Cache Database and Media Cache Files folders, restart Adobe Premiere Pro and then import the video files into your project prm" and are plugins ケンタッキー部位別のおすすめ食べ

Cara export After Effect sebenarnya tidak jauh berbeda dari cara export Adobe Premiere. Namun keunggulan Adobe After Effects ini ialah menghasilkan atau dapat melakukan rendering video secara transparan tanpa background. Namun sebelumnya mari kita pahami tentang Adobe After Effects terlebih dahulu. Apa Itu Adobe After Effect?Lalu, Kenapa Harus Memakai Adobe After Effect?1. Menghadirkan Lebih Banyak Efek2. Aplikasi Lebih Cepat dan Responsif3. Handal Membuat File Shape dari Vektor4. Menawarkan Fitur Scripting dan Keyframe5. Detail Gambar Tetap DipertahankanLalu Bagaimana Cara Export After Effect?Apa Itu Adobe Media Encoder?Cara Export After EffectTutorial Cara Export After Effect Dengan Adobe Media Encoder1. Kirim Project Video ke Adobe Media Encoder2. Meluncurkan Media Encoder3. Pengaturan Ekspor4. Tahap Export After Effect Apa Itu Adobe After Effect? After Effects ialah software editing video yang handal, menawarkan banyak pilihan efek dan bersifat siap pakai. Bisa dikatakan aplikasi ini untuk teknik editing video lanjutan, dengan kemampuan dan fitur yang lebih lengkap juga handal jika dibandingkan Adobe Premiere Pro. Aplikasi After Effects memungkinkan untuk membuat beberapa efek video dan mengeditnya. Affter Effects sebelumnya adalah aplikasi yang dirilis Macromedia, lalu kemudian diakuisisi Adobe untuk dikembangkan kembali. Ada beberapa fitur yang ditawarkan oleh Adobe After Effects, yaitu keyframe untuk animasi, pembuatan shape, Action untuk mendukung teknik skripting agar animasi lebih atraktif, dan lainnya. Lalu, Kenapa Harus Memakai Adobe After Effect? Sebagai software editing video yang handal, Adobe After Effect menawarkan banyak kelebihan di bawah ini 1. Menghadirkan Lebih Banyak Efek Untuk membuat motion grafik, Adobe After Effect telah dibekali oleh lebih banyak efek. Kalian bisa memilih satu dari puluhan efek yang tersedia untuk kemudian diolah lalu diaplikasikan ke dalam graphic atau video pada workspace. 2. Aplikasi Lebih Cepat dan Responsif Adobe After Effect telah dibekali oleh dukungan native pada arsitektur CPU 64-bit sehingga membuatnya menjadi lebih responsif dan cepat. Selain itu, aplikasi ini juga mendukung kapasitas RAM lebih besar. 3. Handal Membuat File Shape dari Vektor Salah satu keunggulan Adobe After Effect ialah bisa menciptakan file shape dengan mengimport file ke dalam workspace dari vektor. Vektor sendiri adalah sejenis graphic dengan titik koordinat satuan terkecil untuk membuat garis bantu pada gambar. 4. Menawarkan Fitur Scripting dan Keyframe Scripting adalah fitur untuk pergerakan animasi secara dinamis sesuai trigger dan event yang tersedia saat video atau animasi dijalankan ketika terjadinya runtime. Sementara keyframe sendiri merupakan kunci dari video dan animasi yang ada. Dengan demikian, After Effects tidak hanya menghadirkan video yang memiliki efek motion graphic saja, tetapi dengan adanya dukungan scripting menjadikannya lebih dinamis. Hal tersebut menuntut Kalian untuk lebih memahami algoritma dan pemrograman dasar. 5. Detail Gambar Tetap Dipertahankan Kemampuan After Effects dalam menjaga kualitas graphic supaya tetap halus dan apik ketika dikompresi, adalah salah satu keunggulan yang tidak dapat dibaikan. Sama halnya dengan quality dan compression ratio-nya yang juga berimbang. Tentu saja hal tersebut tidak mudah, karena biasanya fitur kompresi akan mengurangi tekstur graphics detail sehingga membuatnya tidak lagi halus. Lalu Bagaimana Cara Export After Effect? Sebenarnya cara export After Effect bisa dibilang sangat mudah. Meskipun demikian, Kalian memerlukan dukungan Adoba Media Encoder yang dapat melakukan rendering profyek Kalian. Dengan Adobe Media Encoder, tentu saja menjadi lebih fleksibel, hemat waktu serta memudahkan kolaborasi bersama orang lain ketika Kalian harus membuat proyek. Proses rendering atau export sendiri ialah mengumpulkan data desain menjadi satu, baik memakai perangkat PC maupun yang lainnya. Biasanya setelah seseorang mengedit video lewat After Effect atau aplikasi sejenis, biasanya mereka akan langsung melakukan rendering. Proses rendering sendiri adalah tahapan akhir saat vide benar-benar sudah selesai diedit. Jika sudah berhasil me-rendering video, selanjutnya videobisa diputar dan ditampilkan melalui media player. Apa Itu Adobe Media Encoder? Karena di sini kita akan menggunakan Adobe Media Encoder, maka kita perlu membahasnya sedikit. Adobe Media Envoder adalah aplikasi untuk rendering video dan biasanya dipadukna dengan Adobe After Effect dalam Creative Cloud. Jadi, aplikasi ini memugkinkanmu untuk menyerahkan tahap rendering dengan aplkasi lainnya. Sehingga, Kamu tetap dapat menjalankan After Effect sedangkan komposisinya sendiri akan ditampilkan di latar belakang. Tutorial Cara Export After Effect Tutorial Cara Export After Effect Dengan Adobe Media Encoder Tutorial cara export After Effect dengan Adobe Media Encoder sebenarnya mudah seklai. Kamu tinggal mengikuti beberapa panduan di bawah 1. Kirim Project Video ke Adobe Media Encoder Kamu bisa mengirimkan proyek video ke Media Encoder dari Adobe After Effect dengan menambahkan ke dalam Queue AME. Menariknya, Kamu bisa melakukan beberapa panduan untuk menambahkan pekerjaan atau proyek videomu ke Queue dari After Effect. Pertama-tama, silahkan pilih file kemudian masuk ke export dan “Add to Media Encoder Queue”. Setelah itu, masuk ke Composition, lalu “Add to Media Encoder Queue”. Masuk ke pintasan keyboard, dengan menambahkan komposisi ke dalam Media Encoder queue melalui pintasan atau kombinasi tombol Ctrl+Alt+M bagi perangkat Windows, sedangkan kombinasi tombol CMD+Opt+M pada perangkat Mac. 2. Meluncurkan Media Encoder Tutorial cara export After Effect berikutnya, biasanya secara otomatis Adobe Media Encoder diluncurkan saat Kalian mengantri proyek di After Effect. Tapi jika belum bekerja, bisa memakai salah satu diantara 3 metode di bawah untuk pengiriman proyek video ke dalam Adobe Media Encoder queue berikut ini Kalian bisa menyeret satu hingga beberapa item ke dalam queue pada media atau browser desktop. Kamu bisa memilih beberapa file pada tombol bertuliskan Add Source. Pilih satu maupun beberapa file dengan double click di area terbuka pada panel Queue. 3. Pengaturan Ekspor Pengaturan ekspor pada Adobe Media Encoder sebenarnya hampir sama seperti pada Adobe Premiere Pro. Kalian bisa menemukannya pada menu “Pengaturan Ekspor”, cukup dengan pilih teks yang berwarna pada bagian bawah format maupun preset. Ini dia cara penyesuaian pengaturannya Pastikan item video yang akan di render terdapat pada panel Adobe Media Encoder Queue. Pakai pop up atau menu Format jika ingin memilih format video yang diinginkan atau yang terbaik untuk hasil output Kalian. Pakai preset jika ingin memilih preset video yang terbaik pada output. Kalian juga bisa memakai preset browser yang bisa menambahkan preset ke dalam Queue Kalian. Pilih media penyimpanan file Kalian dengan cara klik teks file output. Lalu temukan folder ekspor video Kalian dengan memiliki “Save As”. Silahkan sesuaikan setingan lain sesuai keperluan. Kalian bisa mengatur semuanya, jika sudah tekan Ok. 4. Tahap Export After Effect Tutorial cara export After Media terakhir ialah mulai tahap rendering atau exporting. Jika Kalian sudah menyesuaikan seluruh pengaturan, maka Kalian siap memulai penyandian. Dalam melakukan export After Effect di Adobe Media Encoder, silahkan tekan tombol putar berwarna hijau di ujung kanan atas pada kotak Queue. Menariknya aplikasi Media Encoder ini ialah Kamu bisa mengekspor salinan pada master After Effect dalam satu kali. Apabila dari tim Kalian memerlukan video dengan format berbeda, maka Kalian bisa melakukan duplikasi video di Media Encoder Queue, silahkan sesuaikan pengaturan kemudian export format video yang baru. Oke, demikianlah ulasan cara export After Effect yang bisa Kamu coba. Silahkan praktekkan dan lihat hasil video yang sudah di edit di After Effect! Baru Diulas Cara Log Out LINE Cek Resi ID Express Shopee Cara Transfer Mandiri ke BCA Cara Cek Kecepatan Wifi Indihome Apa Itu OVO Premier Cara Akses Google Drive Cara Update Google Chrome Cara Cek Kesehatan Baterai Realme Cara Bebas Ongkir Shopee Cara Mengajukan KPR Post Views 3,279 .
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    • cara import file after effect ke adobe premiere